Showing posts with label CoHo Productions. Show all posts
Showing posts with label CoHo Productions. Show all posts

Friday, January 31, 2014

Creativity is Flowing and the River is Moving Fast

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I'm still writing. In this last week I listened to a recording of a radio script I'm working on - a second or third draft, not the final one. It was very helpful to hear them read it. To hear where they stumbled or laughed or said "I like this" or "WTF." And to hear my too often used words. I've been focusing on the script revision and it is slow going. I'm editing content, as well as trying to add appropriate radio script formatting, sound cues, and all of those technical things. I appreciate the producer and the actors taking the time to make this rough, uncut recording of the script so far; it is very helpful. Like realizing that the "slice of life" story I created is fine, but the ending isn't. Right now the characters all seem to just disappear off the edge of a cliff or something. I need to add a little more "oomph" and end with something a little more solid, as well as making my point a little more clear, because it isn't. I also wrote a guest blog post for Portland Center Stage this week, and have started working on another post for them for an upcoming show.

I interpreted a fantastic production of "Eyes for Consuela" at Profile Theatre last week. If you are in the Portland, Oregon area and haven't seen it, yet, I highly recommend seeing the play. It's the first play for Profile in their new space, the first play in the Sam Shepard series, and it is really good. The interpreted performance is over, but the play continues through this weekend. Go!

And I am interpreting a unique play which is making its West Coast premiere at CoHo Theater on Friday night, January 31 (and there will be a second interpreted performance on Sunday, February 2 at 2:00 pm). The play is "Enjoy" by Toshiki Okada. The script has virtually no blocking or set cues or anything other than dialogue. And the actors don't have names; they are designated as Actor 1, Actor 2, Actress 1, and so on. There are names of characters within the play - they are just not written in the script because. Well, nevermind. That would be giving a part of the play away. It is another play worth seeing. The actors do a great job, the directing is solid, and it is an intimate setting for an intimate play.

I realized that it has been over a week since I posted. I wanted to catch up. Because I know I won't be posting anything tomorrow.

I am feeling creative, in spite of some "tension in the field" of my life. That situation has been pervasive and is at a point where it is out of our hands and the process and resolution will take some time. Yet I am holding onto my creativity. This is good. And it's new - holding on when there is a significant event happening and it's winter. The pace right now is busy; I'm in the current, and life is on the move.



Sunday, January 5, 2014

"Enjoy" at CoHo Productions

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There are many excellent theatres in Portland. I am fortunate to be able to work with several well established companies who are putting on new and challenging and engaging productions. One of the productions I'm currently working on is "Enjoy."

I usually keep my performance interpreting posts and information over at the Performing Arts Interpreting Alliance, but "Enjoy" by Toshiki Okada at CoHo Productions also belongs here. This is a new play (it was written in 2006) and has rarely been performed in the United States; this is its West Coast premiere. It is definitely a play to see and not one you will see. It opens on January 17th and runs through February 8th.

"Enjoy" is well written and, although I have only seen a run through, from what I saw on Saturday, the direction and the acting are up to the task of the words on the page. Toshiki Okada has a theater company, chelfitsch, for which he writes and directs all of their productions. His productions include movement and sound in particular, non-standard ways. The director of the CoHo production, Michael Griggs, has incorporated that style into the play which opens later this month.

I will be interpreting the play with Steve Nail, for two performances: Friday 1/31 at 7:30 pm and Sunday 2/2 at 2:00 pm, which will be followed by a panel discussion. There are other special events in conjunction with this play, which you can read about by visiting the CoHo website (click on ENJOY).

If you have a little extra cash and would like to get a jump start on your charitable donations for 2014, there is an Indiegogo campaign to help raise funds for this production. You can read more about the CoHo Productions process as well as more about this play and the production on the Enjoy Indiegogo campaign website, which includes a short video about the production.



COHO PRODUCTIONS PRESENTS
Enjoy 

By Toshiki Okada
English Translation by Aya Ogawa
Co-produced and Directed by Michael Griggs

In a Japanese manga café, nine underemployed “freeters” (part-time or temp workers) share their stories of break-ups, hook-ups, smelly free-loading customers, 30thbirthday-induced terror, present depressions, past failures and future panics. This is the cry of Japan's Lost Decade Generation—those with the misfortune to have graduated while the economy crashed. A member of this generation himself, Okada captures the hyper-colloquial, chronically self-reflective language, and Ogawa translates into pitch-perfect absurdist hipster poetry.
Enjoy runs Thursday through Sunday each week from January 17, 2014 through February 8, 2014, at the CoHo Theatre, located at 2257 NW Raleigh Street in Portland, Oregon. (Interpreted performances on January 31st and February 2nd.)

Shows start at 7:30pm each Thursday through Saturday, with a Sunday matinee at 2pm. Tickets run $20–25 and are sold at a reduced rate of $15 for shows on Thrifty Thursdays.

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